The Partnership with Ralph Holden
The following picture is taken from Calkins (1946):
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Calkins attributes the CH
trademark that marked the efforts of Calkins and Holden to the work of artist,
Louis Akin. Unlike many true artists at that time, he was willing to participate
in an advertising-related project. Interestingly, Akin lived his final years
among the Hopi Indians in Arizona representing their customs in painted illustrations,
and painting their costumes (Calkins, 1946).
When Ralph Holden arrived in New York, his primary interest was publishing.
Holden accepted employment at the advertising agency, under ad boss Bates, upon
learning that advertising offered a wealth of opportunities. Holden was quickly
acquainted with Calkins who was asked to provide Holden direction and help him
acclimate. Calkins remarks how the depth of their relationship might have been
completely different had Holden not possessed clear speech. He describes Holden
as a "city-bred man" who, despite his younger age, was cultivated,
mature, independent, and confident in his decisions regardless of others' opinions.
Holden's impact on Calkins' personality and sense of self was profound. When
Calkins began working for Bates, he was thankful to have found a job he could
carry out successfully in light of his handicap. Holden, on the contrary, was
not overcome by appreciation, and evaluated their employer and the practice
of advertising with a critical eye. Also, Holden was able to measure his abilities
versus those of others objectively, whereas Calkins tended to accentuate his
negative attributes, such as the limitations of being deaf, and minimize the
positive ones (Calkins, 1924). Holden was not in the least impressed with their
employer's abilities. As a consequence of Holden's influence, Calkins stopped
selling himself short, and began to experience a newfound confidence in his
own capabilities for the first time in his life (Calkins, 1924). However, Calkins
still felt inept and insecure during client meetings, a mandatory practice in
advertising (Calkins, 1924).
Despite the personal difficulty Calkins experienced during client meetings,
he succeeded in advancing to the position of head of the copy department after
a period of four years. Further, Calkins managed a staff of writers. As his
friendship with Holden became closer, he not only learned of Holden's growing
desire to leave the agency, but Calkins also began to reveal more personal information
to Holden such as his $35 a week salary. Upon learning this information, Holden
was so infuriated that Calkins' salary was not commensurate with his contribution
to the agency, he began to formulate a business plan for their future. The nature
of the business would be, as expected, advertising. Many discussions between
the two ensued. It was decided that Holden, with his exceptional business acumen,
would secure new accounts, whereas Calkins would provide the creativity, producing
artistic advertisements with the aid of copy staff and an art department. Once
they had surpassed the final obstacle of obtaining a $2,000 loan to start their
agency, Calkins and Holden were ready to pursue their goal of "...doing...something
that had not yet been done...to create a new epoch in the practice of advertising"
(Calkins, 1924). So, on the last day in December, 1901, Calkins viewed with
considerable pride the painted letters on the ground-glass door of the St. James
Building (Calkins, 1924):
CALKINS & HOLDEN
ADVERTISING
Overall, the business achieved a successful balance drawing upon the creative energies of Calkins, and relying upon the salesmanship of Holden. As such, they succeeded in reaching new heights in the field of advertising (Calkins, 1924). Their prospectus proclaimed, "Two men with an idea" (Calkins, 1924). Despite their accomplishments, Calkins questioned whether his achievements in the industry were because of, or in spite of his handicap. He emphasized the critical importance of hearing to the profession of advertising (Calkins, 1924). Above all, Calkins was thankful to the people who selflessly helped him fulfill his destiny as a deaf man: his mother, his high school Latin teacher, Miss McCall, his faithful secretary at Calkins & Holden, Freda Demmler, Ralph Holden, and his wife (Calkins, 1924). The following picture is taken from Calkins (1946):
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