David Ogilvy's List
of Advertising Rules
I hate
rules.
- David Ogilvy
- Choose a short name
like 'TIDE', and not a long one like 'Screaming Yellow
Zonkers'.
- Aim your advertising
at special groups of consumers.
- Concentrate your time,
your brains, and your advertising money on your
successes. Back your winners, and abandon your losers.
- Don't dawdle; speed
up whole process of marketing.
- The manufacturer who
finds himself up the creek is the shortsighted
opportunist who siphons off all his advertising dollars
for short-term promotions.
- The process of pricing
decisions is one of guesswork.
- Regard advertising as
part of the product, to be treated as production cost,
not a selling cost.
- Keep your eye to the
heavy users. Hey are unlike occasional users in their
motivations. Advertising is the cheapest form of selling.
- The task of
advertising is not primarily one of conversion but rather
of reinforcement and assurance.
- When you have to
communicate a lot of different points, use 'call-outs'.
They are above average in recall tests.
- Seldom are two-page
spreads worth the cost.
- It pays to make your
poster a 'visual scandal'.
- Capital letters are
extremely difficult to read.
- Reverse type is
almost impossible to read.
- Sanserif fonts are
particularly difficult to read.
- It is a mistake to
put a period at the end of headlines.
- Testimonials are
below average in their ability to change brand
preference.
- Commercials with a
large content of nostalgia, charm and even sentimentality
can be enormously effective.
- Cartoons can sell
things to children, but they are below average in selling
to grown-ups.
- Musical vignettes are
on their way out.
- Use the brand name
within the first ten seconds.
- Show the package.
- In commercials for
food, the more appetizing you make it look, the more you
sell. It has been found that food in motion looks
particularly appetizing.
- It is a good thing to
use close-ups when your product is the hero of your
commercial. The closer you get on the product, the more
you make people's mouths water.
- Grab the viewer's
attention in the first frame with a visual surprise.
- When you have nothing
to say, sing it.
- While music does not
add to the selling power of commercial, sound effects can
make a positive difference.
- It is better to have
the actors talk on camera. Research shows that it is more
difficult to hold your audience if you use voice-over.
- It pays to reinforce
your promise by setting it in type and superimposing it
over the video, while your soundtrack speaks the words.
But make sure that the words in your supers are exactly
the same as your spoken words. Any divergence confuses
the viewer.
- Avoid visual banality.
If you want the viewer to pay attention to your
commercial, show her something she has never seen before.
- Changes of scene. On
the average, commercials with a plethora of short scenes
are below average in changing brand preference.
- Mnemonics. It can
increase brand identification, and remind people of your
promise.
- Show the product in
use. It pays to show he product being used, and if
possible, the end-result of using it.
- Everything is possible
on TV.
- Miscomprehension. If
you want to avoid your television commercial being
misunderstood, you had better make hem crystal clear.
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