Howard Gossage, his life, his philosophy and his works are wide ranging. Here was a man who operated inside the business, but thought outside it. As Jeffrey Goodby says, "To enjoy Howard solely on the basis of his advertising output would be like loving Paris because the subways seem to work pretty well" (Bendinger 1995). It was precisely his ability to think outside of the 'advertising box' that made him so successful. His multi-faceted persona and ability to assimilate new ideas from diverse fields made his advertising philosophy so enduring and far ahead of its times. Presented here are his Communication Philosophy and his concept of Extra-environmental man that was central to his thoughts about advertising.
[Communication Philosophy] [Extra-environmental Man]
Dr.Rotzoll describes Gossage as eclectic, and his intense pleasure in the act
of communicating with diverse people about diverse subjects predictably infused
his approach to the advertising message (Rotzoll 1994). His deep-seated communication
philosophy was ahead of its time, engaging and effective and here is the essence
of it. According to Gossage:
To capsulize, his message philosophy's three-sentence credo was: "People don't read advertising. They read what interests them. And sometimes it's an ad"(Rotzoll 1980).
Apart from his communication philosophy, central to the understanding of Gossage,
is his philosophy of the extra-environmental man, the individual who
is capable of breaking the bounds of his environment and seeing the world afresh.
Somewhat akin to the man who, confronted with a herd of 99 horses and one zebra,
remarks, "OK, here's what we are going to do with those 99 non-zebras."(Gossage
1967). He propounded that creativity comes best from 'extra-environmental man'
in a talk given at the Art Directors Club in Frankfurt, then West Germany (He
crammed German lessons daily for three weeks, and gave the talk in German).
Creativity according to him began with the ability to recognize what was already
there, and those who were stuck with their load of 'experience' experience could
not see it. He believed that the best art, the best ads came from people who
tended to be extra-environmental. They were either from another culture, another
country, or men who got into the business late in life after doing much else.
Also they approached a problem from outside its environment rather than from
inside. He called it generalism, as opposed to specialism. A generalist starts
from the outside while a specialist works from the inside.
It is clear that Gossage thought of himself to be such an individual and later
institutionalized his talents in this area by forming "Generalists, Inc."
with Dr.Gerald Feigen, another multifaceted personality (Rotzoll 1980).
Gossage
was a thinker unfettered by the conventional and liked to drown himself in the
world of ideas that took him beyond advertising. Much as is evident from what
Warren Hinckle wrote about his last few months:
"he adopted the Caribbean island of Anguilla and helped the natives declare a Quixotic independence, organized a publishing company, launched an environmental organization, developed the theory and structure of a new science for the middle-aged he christened 'Mediatrics,'agitated to make San Francisco a city-state, wrote a brilliant advertising campaign against the anti-ballistic missile in which he likened the ABM to the fallout shelters of the fifties, planned an academic seminar on the subject of hell, began compiling a massive 'Dictionary of first and last lines' of appropriate books and plays, discovered an obscure professor named Leopold Kohr whose recondite wisdom about the dynamic of bigness in society were such that Gossage handicapped him as the McLuhan of the seventies, gave dozens of speeches warning advertising men to repent before it was too late for him to save them "(Hinckle 1973, pp 353-54)
Gossage was beyond doubt a truly extra-environmental man, a human extraordinaire.
Herb Caen, writing the day after Gossage's death in the San Francisco Chronicle
entitled his tribute, "A Singular Man." And so he was, as is his multifaceted
legacy to contemporary advertising thought and practice (Rotzoll 1994).